Books That Can Help You Get Started

Reading for a Living - T.L. Katahn Blue Arrow Books c.1990 'This book will give you insight into what readers are looking for when they analyze a script. The book also reviews fundamental writing skills. At the very least, you will gain insight into one of the first jobs many writers have used as a means to break into the industry. The art and business of script coverage beginning with the basics of what to look for, writing the synopsis, the character breakdown, and evaluating the work are all nicely detailed. The book also examines how to find and keep a reading job, the possibilities for advancement, and income and money management particulars.'

All You Need to Know About the Movie and TV Business - Gail Resnik and Scott Trost Fireside c. 1996 For the writer who is looking to understanding the intricate responsibilities of everyone behind or in front of the camera, this is the book for you. This book provides a great overview of 'the business' of television. The book has been broken down topic by topic for easy access to information depending on your needs.

The Television PA's Handbook - Avril Rowlands Focal Press c. 1987 This book provides everything you need to know about being a production assistant. This book not only discusses the typical day to day activities of PA's, but also takes you on an extremely detailed behind the scenes look and description of all the different types of television production.

Story - Robert McKee Regan Books c. 1997 For beginning writers, this book is a must-have. Considered by most writers as their 'bible,' McKee breaks down the many components of a story into digestible parts. While unraveling the fundamentals of composition, he elevates writing from an intellectual exercise to an art form. McKee takes you on a journey of the essential elements of screenwriting including substance, structure, and style using excerpts from successful screenplays to illustrate his lessons. The book also includes a wonderful suggested reading list and filmography.

The Business of Television - Howard J. Blumenthal and Oliver R. Goodenough" Billboard Books c. 1991 This book offers an in-depth look at the business of television and how it relates to the creative process. It is only for those of you who have the burning desire to gain an in-depth understanding of the television industry. This book is not necessary for beginning writers.

Development Girl The Hollywood Virgin's Guide to Making it in the Movie Business - Hadley Davis Double Day c. 1999 Although geared more toward the movie industry this book is a quick and easy read that allows the reader to gain a general overview of the entertainment industry. Basic industry knowledge may be very helpful as you navigate your way through its many facets.

Hollywood 101, The Film Industry How to Succeed in Hollywood Without Connections - Frederick Levy Renaissance Books c. 2000 This is an in-depth resource for anyone seeking work in the entertainment industry. This book breaks down into steps everything a person needs to know to approach and tackle the big world of entertainment. Since the book is broken down into stand-alone sections, each section can be read both in, and out of context. Read cover to cover, it serves as a pretty comprehensive survey of the entire industry.

Making a Good Script Great 2nd edition - Linda Seger Samuel French Trade c. 1987 This book takes you through the process of writing a script from the first spark of an idea through the rewriting process. The book's strengths are fundamentals and structure.

How to Write For Television - Madeline DiMaggio Fireside c. 1990 Scripts written for television follow a particular format that is well outlined in this book. You should read this before writing your script.

Frequently Asked Questions

1. How can I break into the business?
There are many ways to get your foot in the door. Some of the more common ways include:
a. Becoming a reader (a person who evaluates and writes synopses of scripts for a literary production company or a network)
b. Being a production assistant
c. Being a writer’s assistant
d. Being an assistant to a producer
Most of these jobs are at the production level and the production companies should be contacted directly for more information. Writer training programs are another avenue you may want to explore.

2. Are there any formal writer training programs in Hollywood?
Disney, Nickelodeon and Warner Bros. all have established programs. Here is the contact information:
a. Warner Bros. Writers Workshop 818 954-7906 contact: Jack Gilbert
b. Disney Fellowship 818 560 6894 contact: Frank Gonzalez
c. Nickelodeon Fellowship Program 212 258 7532 contact: Karen Horne

3. Do I have to have an agent to get a writing job?
Whereas it is not impossible, it is a bit daunting to get a writing job without some type of established legal representation. This is why it is extremely important to utilize the WGA’s (WritersGuild of America @ www.wga.org) resources to help you find an agent.

4. How do I get an agent?
The WGA (Writers Guild of America @ www.wga.org) is an excellent resource to help you with this. They have created a full-service web site that has a lot of information that will help you further your understanding of the many aspects of the industry.

5. Who is in charge of hiring writers?
Contrary to popular belief, networks do not hire television writers, production companies do. If you are interested in being hired on a particular show, you should have your agent contact the production company of that specific show.

6. How do writers get hired? What criteria is used to select writers?
Many writers are hired based upon the 'spec' script they write. A spec is a sample script of a series that is already on the air. The writer should create an episode as if he/she were already on staff. If the show’s producers feel the script has accurately captured the show’s characters and voice then you may be invited to interview for a position on the show’s writing staff.

7. What is the best time of year to get a job on a TV show?
Staffing season (March thru June) is when the bulk of writers get their jobs on television shows. You should also be diligent about mid-season shows. Mid-season shows do not staff during a definitive time so you should be in touch with your agent on a constant basis regarding opportunities throughout the year.

8. How do I find out what production company produces a particular show?
a. Watch the show and look for the credit at the end of the show.
b. Check industry publications such as the Hollywood Reporter (www.hollywoodreporter.com) and Variety (www.variety.com) as they have a weekly list of shows that are in production.
c. Check www.wga.org (go to the tab marked "for writers" then click on the TV market list)
d. Search the web.

We wish you every success in your pursuit. It may be extremely frustrating at times, but if it’s truly your life’s passion to become a writer, then it’s worth every effort. Good luck!